Mimesis by Jess Xiaoyi Han | Ross + Kramer Gallery

By Chloe Lee

While wandering through the Chelsea art district in New York, we visited Jess Xiaoyi Han’s exhibition, Mimesis, at Ross + Kramer Gallery. I have always been captivated by abstract artwork, drawn to its ability to communicate profound ideas in its ambiguity. In this recent exhibition, Han's work delves into the philosophical concepts of imitation and representation, hoping to invite viewers to reevaluate their own identity in this information-saturated world. 

The artwork expands the confined walls of the gallery, stretching beyond to create an immersive realm filled with emotion and meaning. The large-scale paintings especially, with their flowing, organic forms, stretched across the walls as if they were extensions of the environment itself, drawing the eye and mind into their intricate details. 

Figure 1. La Nuit, 2024, Oil on canvas, 65 x 55 in. 

In La Nuit (Figure 1), Han uses a deep, velvety blue background that portrays the mystery and stillness of the night, serving as a contrast to the vibrant, flowing tendrils that roam across the canvas. This artwork resonates with me the most, as it reminds me that to create brightness and highlight on a plain canvas, darkness is often needed to define and frame it. The pearl, slightly off-center, seems to command the drifting tentacles, asserting its presence rather than being overwhelmed or consumed by the vibrant colors enveloping it. It further reminds me of the need to shield our inner essence, holding on to who we truly are, so we remain unshaken amidst the tides of information and the weight of external expectations. 

Figure 2. The Duality of Me(n), 2024, Oil on canvas, 65 x 78¾ in. 

In The Duality of Me(n) (Figure 2), Han created a diptych with contrasting colour and composition. On the left, pastel-colored tendrils float upward, elevating the pearl. While on the right, lurid tendrils intrude, pressing against the pearl as though poised to consume it. This piece seemed to whisper, subtly unveiling the inner struggle of the artist. It also communicates the idea that while we grapple with the push and pull of forces that seem to shape our identity, we should try to find the balance, centering our vulnerable self. 

Han showcased an inspiring use of form and symbolism in this body of work. Beyond admiration of the artistic representation, this exhibition emphasized the idea to protect the core of who we are, and to be a counterpoise to current’s turbulence. 

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Chloe Lee is the Student Projects Co-Chair. Chloe is a third-year undergraduate student pursuing a specializing in Architecture. As the Student Projects Subcommittee Co-Chair, Chloe organizes various student-led art events, including the Talking Walls Exhibition and the Art Market. Chloe belies that art could connect people from different backgrounds and foster a sense of community. She is enthusiastic about collaborating with fellow students and supervisors to create spaces that showcase the talents of the U of T community.